McGuffey
(I can’t re-type all of EJA’s text in this piece he wrote on early education in the US. I may try to edit it so that type and spacing look more attractive, but for now, please enjoy it. (And never format using the space bar.) Grandchildren, when we went to Hueston Woods in Summer 2016, we found out that McGuffey had lived in Oxford Ohio, so Grandpa and some others went to visit his museum.
Grandpa and McGuffey
The lark is up to meet the sun,
The
bee is on the wing,
The ant
his labor has begun,
The
woods with music ring.
Should birds and bees and ants be wise,
While I
my moments waste?
So let
me in the morning rise,
And
to my duty haste
When
Grandma Murray died suddenly in January of 1948 arrangements were made for
Grandpa to continue living in their house by having a young married couple move
in to help him. It didn’t work out satisfactorily, at least according to Mother,
so on Wednesday of Holy Week that year, the day after I got home for the Easter
holiday from college at John Carroll, Mother and I drove up to Hopkinton and
brought him home to live with us for what turned out to be the last two and a
half years of his life. “We just made him come,” she wrote her sisters in the
convent on Good Friday to tell them what was going on with their father. But she felt he was actually glad since “he
fits right into the picture and enjoys the youngsters”—i.e., me painting the new
garage doors and Flo and I arguing, our argument being, according to Mother,
“as childish as ever, but oh! the big words” we used—from our new college
learning I suppose. Mary Ann (age six) was home and Flo unintentionally—in a
wheelchair since having her leg shattered from being hit by a car at Marion the previous October after
an Anamosa football game. Bob would be home from Loras that evening. And she
pledged she would bring Grandpa in to see them shortly.
It was
a wonderful two years having Grandpa there. There was some friction of course,
having two “patres familias” in the house, but Dad adjusted generously in most
regards. It was not too inconvenient for Mother and him to move to the large
guest bedroom off the living room downstairs and give Grandpa their room
upstairs (and they continued there thereafter). And Dad yielded his chair by
the radio in the study to Grandpa with his pipe and ashtray, and read his paper
in the living room. Television was not a problem. Although 1948 was the year
television viewing exploded across America with the Milton Berle show (from
being a largely New York phenomenon before), our family was far from being “the
first by whom the new is tried”, far more “the last to lay the old aside.” We
were regularly, in my estimation, ten years behind the rest of the country in
new entertainment excitements. I don’t remember Grandpa ever watching
television anyway. He was a radio man, liked listening to radio news, speeches
and ball games, and mysteries with Mary Ann on the floor beside him, calming
Mother for her concern that they might be too adult for her (as if anything
like today was allowed then).
Grandpa
generally got up later than Dad, who had eaten and gone to work by then, so
having Dad’s seat at the breakfast table was not a problem; and other meals
could be taken together in the dining room. The house itself was large and
spacious (five bedrooms upstairs with six full beds) and only four family
members living there then. And in the Fall of next year Flo was off teaching
high school at Morley nine miles distant and Bob and I away at seminary and
college during school terms. But for holidays and summers it was nice for all
of us to have Grandpa about and added much to his life I think. He enjoyed us
and we him. And Uncle Louis dropped down easily from the farm (Grandpa’s farm
originally of course); Aunt Minnie and Uncle Elmer and Uncle James and Aunt
Grace came from Marion; Sr. Marie Charlotte also had permission to visit (with
a companion nun of course).
Great
respect was paid him. It was our upbringing. Although Flo was smoking at the
time, she did not smoke in front of Grandpa. He did not approve of women
smoking. And although he was a staunch Democrat and Dad a Republican, politics
was not an ugly thing then, but discussion was avoided anyway. It was a
well-known fact and source of joking among all who knew our family that Dad was
Republican and Mother Democrat and cancelled each other’s votes. Dad and fellow
businessmen in town often attended Iowa Republican conventions as far as Des
Moines and Mother, through the invitation of good friends in Washington,
attended Harry Truman’s 2nd inauguration in 1949, sat right on the platform
(with Shirley Temple), and was written up in our local paper.
Dad and
Bob and I were working on the yard and pasture those summers on our 3½ acre
“estate” on the edge of small town Anamosa, building a barn by moving our old
wooden garage to an old stable foundation found north of the house (from
earlier residents) and adding a corral for Flo’s horse Rags Moken. Mixing and
pouring cement ourselves for a large circular drive for cars, plus rock walls
and sidewalks made by me. Dad liked taking time from his dry goods store to
re-live so to speak his farming and carpenter days. And saving money. A do-it-yourself
family we were to the extent he could arrange it. He didn’t like us to seek
jobs elsewhere: “I’ve got plenty of work for them,” he told Mother. It wasn’t
ideal working for a father but he was generously and uncomplainingly paying for
education for us far beyond what he and mother ever had so it was hard for us
to complain. Dad loved manual labor, and long hours, and Bob and I watched
impatiently as the sun climbed over the sky, hoping for a “Well, that should do
it” statement to head for the bikes and swimming or whatever. Grandpa came out
now and then to walk about, inspect and prune a plant or bush here or there,
and watch us a bit. His life had been outdoors.
It was
one pleasant summer morning while working and talking to him that he recited to
me the short poem quoted above. A poem he said he had learned years ago as a
boy in school. I was charmed to hear him recite it in his eighties and asked
him to repeat it several times and wrote it down and memorized it. I repeated
it to my children years later and they learned it. Most can recall it now I
believe. I always suspected it might be from the well known McGuffey Reader
schoolbooks and that Grandpa probably learned it in country school and it
wasn’t hard some years ago for Beryl to track it down to McGuffey’s Eclectic Primer, newly rev. edition, 1849, lesson 81, p.
54. Written by the Rev. William Holmes McGuffey himself.
McGuffey
was born at the turn of the century, 1800, when the nation was not a dozen
years old and still under its second president. Of Scottish ancestry, his
father was a minister and he became one too eventually, though for the first 18
years of his life had only the scant education of “winter schools,” (the kind
my father and many farm children attended as farm work permitted). Then through
hard work and perseverance he gained a solid education for himself, made a
reputation teaching and lecturing, and became a college president at 36. When
offered $1,000 by a small publishing firm to design a series of four readers he
quickly compiled them and set upon a career of fostering education as widely as
possible.
Most
Americans have heard of the McGuffey Readers and correctly identify them as the
schoolbooks that were the primary educational tool of 19th century
America, in the famed one-room schoolhouses (some 200,000 we’re told) that
dotted the pioneer and farming landscapes of the nation. An educational
endeavor mandated by Thomas Jefferson himself, who stressed popular education
as the safeguard of the new republic’s character and wellbeing. McGuffey’s and
similar readers, along with Noah Webster’s Dictionary
and Speller, became mainstays of that safeguard and as of 1960 (from its
beginning in 1836) some 120 million copies of the Readers were sold, putting
them in a sales category with only the Bible and Webster Dictionary. Thousands
are still sold each year. The 1879 edition (seven texts) is still in print and
still used in some few school systems, and by parents who home school and
teachers who seek basic education in reading, writing and speaking, with strong
emphasis on moral and cultural values. McGuffey Readers are “public domain” now
and can be used by anyone in any way desired. My mother kept a copy of this
edition on a table in the living room of our house on the hill and spoke of
Grandpa in regard to it, though it was not the edition he used. Given to her by
long-time friends, the “Tracy girls" in Florida.
The
concept of “graded readers” (as opposed
to “grade level” texts) was the crucial innovation for success in the one-room
country school system, since students of a single-room school with a single
teacher were often few in number and might easily range in age from as much as
six to twenty-one years or more (Think immigrants!), and time available for
schooling for rural folk was measured, as noted, in months more than years. It
was imperative then that older and more talented students be allowed to
progress at faster rates than younger and slower; and then, having attained
higher skills in higher readers, help the lone teacher instruct students at
lower levels—a pass-it-on system that consolidated their own learning at the
same time. My Mother’s teacher, scarcely older than her, roomed at the Murray
farm for various terms and went to confession, church, and dances with them.
Many
who have heard of the McGuffey Readers also assume that they were the only or
primary textbooks of the school system, when in fact most of a country school
day was spent learning the other traditional school subjects of geography,
history, the various sciences, and above all mathematics. Grandpa, as example,
kept a large ledger on a desk in his study to manage the varied business of his
farm: buying and selling produce, hiring help, financial and banking
transactions and taxes. And Grandma handled the chicken business of the farm,
keeping records and selling eggs as far away as Detroit. The Readers (as
titled) covered only grammar and reading and their related aspects of writing
and speaking. Reading is the key to all
information and all knowledge of
course, and therefore to success. But for McGuffey, though reading brings
knowledge, knowledge alone does not assure character. And only character can
assure a productive and happy life. And character comes from what is read
McGuffey
Readers therefore were designed to insure good character by teaching how and what to read: namely, the best British and American writers
expressing the best moral and cultural truths in prose and poetry. Real
literature, not made-up, on challenging subjects, and as early as possible. To
this end McGuffey spared no expense in printing his texts in the most
attractive and readable form the technology of his time allowed. He was
especially concerned that illustrations be engraved as vivid and fine as art
and expertise could produce: “No expense spared”, “by the best American
artists” were favorite advertisements. Close inspection supports his
assertions. The illustrations of the 1879 Readers are wonderful in detail of
costume, action and facial expressions, matching closely the story lines and
“such that,” he boasts, “the skilled teacher will be able to use them to great
advantage” in discussion and teaching.
If you
have not seen a McGuffey reader it is worth an hour or two’s perusal in a
library, most of which will have the 1879 edition. Examining it you will find
yourself in an earlier time, a country-oriented world of old-fashioned lives,
themes and values, when some 50 % of the American labor force was still engaged
in farming. There was wickedness in those days of course and bad people, but nothing gross or unnatural
as often today. Bad people for McGuffey were more likely to be lazy rather than
wicked, and a boy in danger of becoming bad was one who shunned school and
church, had developed bad habits and in particular laziness. Hence a strong
work ethic and perseverance are constantly stressed in the Readers, laziness
scorned. A mother hen (Reader One)
takes her brood for a walk. They come to a streamlet. The mother hen jumps
across using a rock mid-stream as help, but the chicks are flustered and scurry
about unsure. Finally one chick tries to jump but fails. The others will not
even try: “Mother asks too much of us,” they complain. Later, when the mother
finds breadcrumbs, she and the chick that tried to cross share them. The others
must go hungry. Lesson taught.
Another virtue notably stressed in
the Readers is “kindness,” which you might agree is scarcely mentioned
today. But which you might also agree,
on reflection, implies the possession of numerous other virtues too.
This old man can not see. He is blind.
Mary holds him by the hand.
She is kind to the old blind man.
Kindness
to animals also—wild and tame, dogs, cats, horses, birds, even mice. Reader 2: When “Little Kitty” catches “little
mousie,” mousie slips away and escapes.
The
first volume, Eclectic Primer, for
beginning boys and girls (1879 edition), has 52 lessons in a mere 64 pages
(less than 1¼ pages a lesson and introduces for mastery no more than six new
words a lesson, with few more than one syllable and three letters each.
Surprisingly, cursive writing (“slate work”) begins almost at once, including
reading it in the text and copying. An expensive element to introduce into a
printed text, since cursive writing had to be specially engraved for
publishing. But an important skill for McGuffey. Interesting also because a few
years ago an Indiana school announced that it would no longer require cursive
writing, and some children today can hardly decipher it. Conversely, most of my
aunts and uncles, even some with small formal education, had beautiful
penmanship. My father and Aunt Verone in particular.
As
might be expected, given McGuffey’s background, the Readers are replete with
religious, moral and ethical considerations far beyond what would be tolerated
in a public school textbook today. In the Eclectic
Primer “God” is introduced as a vocabulary word in lesson 51, and
immediately used:
“Do you
see that tall tree? Long ago it sprung from a small nut. Do you know who made
it do so? It was God, my child. God made the world and all things in it. He
made the sun to light the day, and the moon to shine at night. God shows that
he loves us by all that he has done for us. Should we not then love him?”
Lesson
52 adds the word “Lord” as vocabulary; then closes the book with a poem, “The
Lord is Nigh.” Two of its three stanzas are:
When the stars, at set of sun,
Watch you from on high;
When the light of morn has come,
Think the Lord is nigh.
All you do, and all you say,
He can see and hear;
When you work and when you play,
Think the Lord is near.
Think the Lord is near.
References
to the Bible are frequent throughout the series, including entire lessons on
the “Lord’s Prayer”, 3rd; “Sermon on the Mount”, 4th;
“The Golden Rule”, 4th; “Speech of Paul on Mars Hill”, 6th;;
and general encomiums such as: “The Bible: the Best of Classics” 5th,
and “The Goodness of God,” 5th.
Happily the early, somewhat grim Scottish Calvinism of the brothers
evolved steadily in later editions to the more congenial Christianity of the
general populace.
The First Reader repeats the Primer’s “The Lord is Nigh” poem—in
cursives. The child modeled on this reader, says critic Shannon Payne, is
”prompt, good, kind, honest and truthful.” Which could be said of all the
readers. The word “wholesome” comes readily to mind in assessing—a word I think
not commonly used today: “tending to improve the mind or character”, “conducive
to good health or well-being”, “good for children.” The deeply wholesome
McGuffey Readers molded generations of young Americans to honesty, decency and
nobility of thought. Henry Ford (a year older than Grandpa) was so proud of his
McGuffey education that he paid to have the 1857 edition he studied
reprinted.
The First Reader concludes with
commendation and advice for the student:
“We
have come to the last lesson in this book. We have finished the First Reader.
You can
now read all the lessons in it, and can write them on your slates.
Have
you taken good care of your book? Children should always keep their books neat
and clean.
Your
parents are very kind to send you to school. If you are good, and if you try to
learn, your teacher will love you, and you will please your parents.
The Second Eclectic Reader (1879 ed.)
includes “The Little Star” poem (“Twinkle, twinkle, …”), four stanzas if you’ve
not heard them all, though without accreditation to Jane Taylor, 1806. Stanza
three being:
Then if
I were in the dark,
I would
thank you for your spark.
I could
not see which way to go,
If you
did not twinkle so.
Another poem in that Reader (Lesson 43) was a
favorite of my Mother, who quoted it to us children each year, especially the
first two stanzas: “The Wind and the Leaves,” by poet and lyricist (with
Stephen Foster, et aliis) George Cooper. McGuffey obviously liked the poem and
devised Lesson 42 as a prelude to it: about one small leaf that was afraid on
learning that it would one day fall from the tree, but was made happy when
shown how beautiful it would become at that time.
The Wind and the Leaves
“Come
little leaves,” said the wind one day.
“Come
o’er the meadows with me, and play;
Put on
your dress of red and gold, —
Summer
is gone, and the days grow cold.”
Soon as
the leaves heard the wind’s loud call,
Down
they came fluttering, one and all;
Over
the brown fields they danced and flew,
Singing
the soft little songs they knew.
“Cricket,
good-bye, we’ve been friends so long;
Little
brook, sing us your farewell song, —
Say you
are sorry to see us go;
Ah! you
will miss us, right well we know.
“Dear
little lambs, in your fleecy fold,
Mother
will keep you from harm and cold;
Fondly
we’ve watched you in vale and glade;
Say,
will you dream of our loving shade?”
Dancing
and whirling, the little leaves went;
Winter
had called them, and they were content.
Soon
fast asleep in their earthly beds,
The
snow laid a coverlet over their heads.
The
poem is still popular in children’s books. I have heard one of my children
quote from it.
The Fifth Eclectic Reader was intended to be
the last and was called “The Rhetorical Guide” because its many examples of
prose and poetry were designed at that level for recitation. Soon though it was
joined by Reader Six, an even larger
volume for the same purpose. Both readers were created by Alexander McGuffey,
brother of William, and each is a repository of renowned literary passages of
British and American writers: 255 in all, by over a hundred contributors, e.g.,
Shakespeare, Wordsworth, Walpole, Pope, Poe, Thackeray, Dickens, Browning,
Hawthorne, Byron, Irving, Parkman, Jefferson, Bacon, Scott, Milton. All
selections are short (1 to 3 pages), all chosen for literary excellence,
wisdom, edification, inspiration, morality and values. All meant to be read
aloud, many to be memorized, and many national favorites now from the millions
of McGuffey students who learned and recited them—including Mother and Grandpa.
It is no wonder that Mother loved poetry and words of wisdom and filled
notebooks with them all her life.
Bryant’s Thanatopsis;
Shakespeare’s Hamlet’s Soliloquy; Speech
of Henry V to His Troops; The Fall of Cardinal Wolsey; Longfellow’s Village Blacksmith. Mother cited from it
many times and there was in fact just such a smithy in Anamosa off Main Street
where I stopped often as a boy coming home from school or from Dad’s store to
look through its great open doors at the white-hot forge and glowing horseshoes
held in tongs by the smith’s “large and sinewy hands ” as he hammered them on
his anvil, sparks flying. He never spoke to me but sometimes let me and other
boys stand near the forge—awesome for a boy. The poem itself stuffed with
Longfellow’s moral comments on the smith and his work: “honest sweat”; “owes
not any man”; each day “something attempted, something done,” “the flaming
forge of life”.
Patrick
Henry’s Liberty or Death Speech; an
instructive passage from Louisa May Alcott’s earlier, popular work: “An Old
Fashioned Girl”; and Gray’s Elegy in a
Country Churchyard (arguably the most quoted poem in English) on the
unremembered poor. Lincoln once summarized his entire upbringing in a single
verse from it:
The short and simple annals of the poor.
The short and simple annals of the poor.
A
favorite stanza of Mother’s:
Full many a gem of purest ray serene
The dark unfathomed caves of ocean bear
Full many a flower is born to blush unseen
And waste its sweetness on the desert air.
The long introductions to these “Rhetorical Readers” divide into numerous categories titled: Articulation, Inflection, Modulation, Accent and Emphasis, Reading Verse, Poetic Pause, The Voice, and Gesture—each interesting and seldom taught for general education today; each an area for perfecting the public recitation of literature, with selections for practicing each separate faculty and notes on the key emotions to be emphasized when so doing. An essential skill, public declaration, according to McGuffey for success in life—yet little attended to today judging from the ineptitude in that area of an overwhelming number of our politicians, teachers, preachers, businessmen, lawyers, athletes, and ordinary fellow citizens.
Lesson
One of the Fifth Reader, titled “The
Good Reader,” summarized here, illustrates the importance of this skill. You
may smile as you read it—somewhat embarrassed perhaps even. Is it serious?
Could any student of any age have been so innocent, so naive as to be impressed
by this story? As McGuffey intends? But you might be “wistfully” impressed also
to some extent—as I. Mightn’t it be nice if we all could be so innocent again as to be motivated like the people in this
story? Your young children might still be. Have them read it. Or—better—read it
to them—aloud.
King Frederick the Great was sitting in his room
one day after a morning’s hunt when a soldier came in with a letter whose
author requested that it be read at once. The soldier is not able to read and
since the King’s private secretary was away the King asked a young page on
attendance if he could read it. (The King’s eyes were still smitten by the
harsh light of the sun from his morning’s hunt so he could not read it for
himself.) The page agreed but stumbled so with words and pronunciation that the
King, in disgust, dismissed him and asked a second page in the room to read it.
This youth, determined to surpass the first, read so slowly and pompously,
emphasizing each syllable of each word without regard for meaning, that the
King, exasperated again, dismissed him. Then, looking out the window, he asked
who the little girl was sitting by the fountain? It was, he was told, the
daughter of one of his gardeners, helping her father pull weeds.
Ordering her brought in the King asked her if she
could read the letter. “Certainly,” she said. But for some moments she stood
quietly holding the letter so that the King impatiently asked whether in fact
she really could read. “Yes,” she explained, but first she had to examine the
letter to know how to read it
properly. The letter it turned out was from a widow whose only son had been
taken into the King’s army. The widow pleaded for his release. He was not well
to begin with, she said, and he wanted to be an artist, not a soldier.
Moreover, she said, her husband, the boy’s father, had earlier been killed in
battle fighting for the King. She did not want to risk losing her only child
also.
So beautifully did Ernestine [That was the name of
little reader—really.] read the letter with just the proper emotion that tears
filled the king’s eyes and he said that he would grant the widow’s request and
Ernestine herself could bring the good news to her since her fine reading of
the letter had brought about his consent.
Then the king ordered the two boys who read so
poorly to be sent away for one year to learn how to read correctly [obviously
the McGuffey way]. Which they did, and took their lessons so seriously and
became so good at reading that they each advanced to successful careers, one as
a lawyer and the other as a statesman. Moreover, the widow’s son (at
Ernestine’s suggestion) became an artist and was invited to paint the King’s
portrait and succeeded so well that he received many further assignments and
became a famous portrait painter.
Ernestine’s father was promoted to head gardener
for the palace and Ernestine herself was sent on to further education at the
King’s expense.
All of which happened because of her ability to
read well.
Here
then in this simple morality tale we have the essence of the McGuffey
educational philosophy: to read ever noble writings, such as even the slight
poem on duty quoted at the beginning here, and disperse their wisdom
effectively to others through skilled elocution.
Elocution! A word I have not heard for
decades—since childhood. The art of public reading and speaking effectively:
for instruction, persuasion, edification, using all the basic skills and
functions of language and oratory. In my four years of Jesuit high school at Campion
there were campus-wide elocution contests on occasion—something I’d not seen
before nor have since. A staple in early education as we see here, but a lost
concern today. (We’re not talking debating—a different intent.)
I was
picked for one contest by my English teacher and recommended a long poem to
learn and recite, which I found dull and uninteresting. And with scant
coaching. The poem was about an Indian attack on a Western army fort so must
have had some potential for dramatic recitation—which eluded me. And better
coaching might not have overcome my ineptitude anyway. I did not make it
through the preliminaries, nor even through my poem, as I recall, before being
thanked and dismissed. But I will never forget my classmate who won the contest.
On an empty stage, on his knees, staring down at an imaginary body of Caesar,
and declaiming Shakespeare’s incendiary words written for Mark Antony—with
gestures to fit:
O,
pardon me, thou bleeding piece of earth,
that I
am meek and gentle with these butchers!
That, I
learned, was elocution.
Grandpa,
my Mother, various aunts and uncles, all the older people I grew up with who
had studied McGuffey, always and noticeably emphasized through some
dramatization of voice or gesture the poems and stories they recounted.
Sometimes overdoing it perhaps to our unaccustomed ears, but nonetheless as
they had learned and heard it in school. And Grandpa and Mother even when
repeating an Irish or Democrat political speech or skilled pastor’s sermon
they’d heard (the popular Fulton J. Sheen) always attempted to convey to their
listeners its affect on them—as McGuffey intended. And Grandpa famously choking
up routinely with his own Irish emotion.
Grandpa
was born in 1864 and sent by his parents James and Mary Ann (Ronan) Murray to
the little country school about two miles east of the farm on the road to
Worthington, which I passed often when young. His older children, Minnie,
Laura, Mary and James likely attended there also. Attendance at school was not
mandatory in those days, at least for farm children, when even young boys and
girls might be near indispensable for farm work, given the many chores and
tasks they could perform: e.g., Alice at age 11 driving the morning’s milk to
the creamery at Sand Springs 4½ miles distance.
But the lure of higher education (and Catholic
education in particular) was strong to the Murray family. And while a two-mile
walk to a country school was nothing to a child in those days, four miles to
Worthington were. The younger Murray children rode horse and pony to high
school there, and my Mother well recalled Grandpa buying “Babe,” the beloved
family pony, for such use, and the fall she became ill and Grandpa stayed up
two whole nights tending her. She kept one of Babe’s shoes on her desk at home
all her life. Youngest child Alice, at age 13, rode horse “Old Net”, alone or
double with a friend, sometimes not getting home till after dark and “not very
good-natured,” said Grandma.
All the
Murray children received some education beyond grade school. My Mother one and
a half years of high school boarding at the Visitation Academy in Dubuque,
where older sister Minnie earlier and younger sisters Mary and Alice later
studied—at family expense. James and Charles finished high school in
Worthington and had stints at college in Dubuque (“Dubuque College” for James;
named “Columbia College,” Charles; now “Loras”). Louis had “winter school” in
Dyersville before taking over the farm from Grandpa at age 22.
My
father was not McGuffey educated. After the pastor of St. Paul’s Church in
Worthington established the parochial school there in 1874, the Ament family,
living in Worthington then, attended it with father taking grade level
education there. It was taught by Franciscan nuns brought over from Germany by
the bishop of Dubuque and parents had the option of having their children
taught in English or German (Worthington being an overwhelmingly German
community then) and my father had a considerable a bit of German along with
English. A two-story brick school building was built in 1889 with nine large
rooms—four steam-heated for classes, the others by potbelly stove.
The
school was not graded at first (that is, was taught like a country school) and
only grade-distinguished when a high school was added in 1916, after my
father’s time. With only a single chalkboard in the entire school, about a yard
square (like the one I built in my basement here), the students worked with
individual “slate boards” and screechy slate pens à la country schools, with
recess spent outside pumping water for each other to drink. I do not recall my
father ever quoting poetry, though he was an avid reader of fiction as a boy,
then newspapers, journals, and non-fiction books as an adult. He also had
“winter schooling” boarding at the Brothers School in Dyersville (which later
became a high school) and was skilled at math and kept the books and records
for his dry goods business with all the math and record keeping that entailed
for forty years. And was prominent in the town.
The first of the twelve children of Theodore and Elizabeth Ament to
receive a complete high school education was number nine, Ernest, because of
his desire to become a priest.
The
McGuffey Readers were not designed to go beyond eighth grade education. Most of
the teachers who taught them had not exceeded that level of education
themselves and many who finished the courses stayed on to teach them. At least
one sectarian group (of Amish I believe) did not accept as teachers those
trained beyond grade school level. Nor is there a recommendation at the end of The Sixth Reader urging students to
continue their education upwards. There were always schools and colleges for
professional disciplines that need higher educational skills (medicine, law,
engineering, etc.), but good, moral living and good character seem not clearly
a necessary part of their curriculum and perhaps it is too late by then even.
Nor did farming and small businesses, as understood then, require such advance
education—my father’s example.
My
mother’s grade school diploma was not given for finishing grade school, but to
establish her qualifications for advancing to high school should she wish to,
not an assumed thing then. The ten areas it guaranteed her qualified in were:
Orthography, Reading, Writing, Arithmetic, Geography, Grammar, Physiology and
Hygiene, U. S. History, Music, and Civil Government. Her average score for her
exams there was 90%, with a 99% score in arithmetic. She was not tested in an
eleventh area, Elementary Agriculture, perhaps taught mainly to boys who
intended to farm.
My
father wanted a farmer’s life, but my mother did not. It was no intransigency
that prevailed there. With nine sons Grandpa Theodore had more than enough help
for his small dairy farm (he chose the harness trade as his main support) and
later for his larger farm, and as the younger boys reached an age to help, the
older who were not needed moved on: Leo and Herman to farm on their own; Dad
and Benjamin to carpentry; Ernest to the priesthood; Lester to manufacturing;
and Pete to civil service work. Carpentry for my father was learned by
apprenticeship. He worked for John Klaren, the best carpenter in the area
(Years later farmers pointed to their barn and said, “John Klaren built
this.”). Klaren wrote my father each spring to ask if he would work for him
again. It was for carpentry work that he moved to Anamosa before marrying and
living there with my mother, and when a small dry goods store my mother clerked
in closed, she persuaded him to buy it and follow that trade.
He was
also exceedingly skilled on the trumpet, thanks to his father. As a boy he used
to cry when his father got out the trumpet for practice, but it changed his
life for the better. In WWI, in the Coast Artillery, he was accepted into its
military band and when stationed in Portland, RI, took some lessons (the only
lessons he ever had outside his father, who had taught himself to play) from
Ira Holland, who had been First Trumpeter for John Philip Sousa. Back home he
played for the band of every town he lived or worked in and for the Cedar
Rapids Symphony and the famed West Des Moines Drum and Bugle Corps that
competed nationwide, and some called him “the best trumpeter west of the
Mississippi”. Not long before dying he wondered to me if he might not have been
happier as a professional musician, the trade he listed on leaving the army.
(I’m not sure we children would have had the same quality education we had had
he done so!)
“At no time in the history of these readers
have they been without formidable competition,” says Henry H. Vail in his brief
account of them (1911). But they had “staying qualities.” “Teachers often
became so familiar with their contents that they needed no book in their hands
… but to each child the contents of the book were new and fresh. It is the
fashion of the present day to exalt the new at the expense of the old, … . But
the child of today is very much such as Socrates and Plato studied in Greece. …
At a given stage in his upward progress, he is interested in much the same
things. He is led to think for himself in much the same way, and the whole end
and aim of education is to lead toward self-activity. The readers that deal
simply with facts—information readers—may lodge in the minds of children some
scraps of encyclopedic information which may in future life become useful. But
the readers that rouse the moral sentiments, that touch the imagination, that
elevate and establish character by selections chosen from the wisest writers in
English in all the centuries that have passed … have a much more valuable
function to perform.”
If the
end of education, as McGuffey believed, is to establish good character and a
lifelong hunger to read and emulate the morality, beauty and wisdom of great
writing, the Readers succeeded eminently. “Character is [emphasis added] more valuable than knowledge and a taste for
pure and ennobling literature is a safeguard for the young that cannot be
safely ignored.” (Vail).
The
American Country School system has been called the most successful educational
system in the history of the world for teaching the basic skills of
life—reading, writing and arithmetic—to the greatest numbers of people, with
morality and patriotism added. As late as 1999 researcher Raymond Bial declared
without qualification: “The quality of education received in most rural schools
far exceeded modern standards.”
Equally
on a broad scale it has been claimed: “The American country one-room school
system was, and perhaps still is, the most successful of all American
institutions ever created.”
Somewhere
(I can no longer find it) I have a document recording a comment by Grandpa
Ament that as a boy he attended school with “Charlie Murray. Who always had his
lessons done.” It would be in that same schoolhouse almost midway between the
two farms they grew up on. They were two years apart in age and I find it
pleasant to imagine them sitting side by side on the same bench memorizing
something or other (The Lark poem
perhaps), never dreaming that years later the son of one would marry the
daughter of the other. Quite different in temperament, ethnicity and politics,
but not in character and religion, the two large families were greatly
respectful of each other and were united over time by a surprising number of
marriages.
———
To keep
Grandpa’s and William H. McGuffey’s poem alive for at least another generation
I hereby offer a gold dollar (gold-colored, mind you) to any direct descendant
of Grandpa today or hereafter of 15 or under years of age at the time who will
memorize the “Lark” poem and recite it to me accurately and without aid in
person or over the phone or whose parent or older relative or lawyer friend or
guardian or teacher or elected official of rank of mayor or governor or above
will hear and vouch to me for his or her accurate recitation without aid. This
offer has been witnessed by my wife, who may also witness the recitation in my
absence.
EJA 11/23/15
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